Thursday, April 21, 2016

Choral director laments loss of pop Icon

Well when I was considering topics to write about for today's blog I never expected it would be about the death of a pop icon. The pop music world lost a huge figure today, Prince died at 57 years old at his estate in Chanhassen, MN, Paisley Park.

Why would I, a choral director choose to write about this musician? First of all I am a fan. I am a Minnesotan. And I can truly say I have been and continue to be inspired by his musical genius. I have spent most of my professional career in the choral world, or some would say "classical" music world. But my teens were filled with pop music from among many pop artists. But I have always enjoyed and been most impressed with Prince. He was by far one of the most prolific pop artists in American music history. I remember an interview, which were few and far between, when he commented that he has to write a song everyday. He admitted it might not be great or even good every day. But the task of composing everyday was a part of who he was as a person. Dedication to art was definitely something that inspired me. I learned to play some of his songs. I was in a rock band and we even covered a couple songs.

But inspiration, professionalism, practiced talent, and creativity are things that I will take away from my experience of this great music. Even the sad slow songs had energy and even ferocity behind them. I will always love the energy and excitement of his music. I don't like every song, or even every album or movie, but the talent and ability to push the boundaries of rock, pop, soul, R & B, and even some experimental stuff made his sound unique.


Let's Go Crazy Live at the Superbowl

I had three incredible opportunities to see him play live. Two were at huge stadium events. But I also had the great privilege to go to a private performance at Paisley Park. I was still in high school in St. Paul, MN. A friend's mom was on a phone tree list of inner circle fans who would get phone calls when prince would announce an impromptu concert for this inner circle. My friend's mother couldn't go and told us we should go! We pulled up to Paisley at 11pm. I could see the purple house off in the distance. The concert was going to be in this giant garage, also purple. We waited in line until 2am. We almost didn't get in. There was a limit of 200 people. But we made it. We then waited for 2 more hours. I sat in a big purple hand shaped chair and then all the sudden people started getting excited. I rushed to the front of the stage area. Prince and the band come out to a great beat being played by the drummer. I recognized the beat. Prince played the iconic opening riff from "Let's Go Crazy." Then he says, "Is that what you wanna hear?"

The crowd screamed. But he said "nah, nah," switches guitars and breaks into the coolest arrangement of Elvis Presley's "Teddy Bear" I have ever heard. It was amazing. For this entire concert, in which I see him play 7 different instruments, I am in arms length of Prince. I've never been a star-struck kind of person. But that night (or very early morning actually) I was blown over! 

It was a two hour set without pause of music in varying styles from across his catalog and covers of other people's music. He did play "Purple Rain." He also did some of the real early stuff like "Wanna Be Your Lover" which is a favorite of mine. Again the thing that impressed me the most was the energy, professionalism, talent and obvious genius that came through in his music.


I lament the death of Prince. I am thankful for his inspiration to me as a musician. I know that my energy in the music I make is influenced by the joy I have experienced in this man's work. This is not a eulogy. This is a celebration of inspiration. In his own words, "Nothing Compares 2 U." May he be blessed and the world celebrate his genius and joy!



Wednesday, April 13, 2016

Community Sing, Outreach, Concerts as Events, and Optimism

In the world of very visceral and in-your-face entertainment experiences, popular culture's understanding of an event is significantly different from 35-40 years ago. The 1970s were the last big blast of choirs being a cultural force in most people's every day lives. I grew up in a choir director's home, so my view is a bit jaded. I think the world revolves around choirs and singing. And I wish that was more of a reality for most people. But the truth is choral concerts are a peculiarity in the world of entertainment. However, the challenge that faces all performance organizations, choral or not, is that the community must still rally around the organization for it to be successful. Today that means when people attend a concert it has to somehow give back to the community beyond simply being excellent music in the atmosphere. How do I reach out? Well events like tomorrow's (or today's if your reading this on Thursday, April 14) InChoir community sing. We are inviting the community into our process. How do we as singers/ performers/ musicians approach the world? How do we come into a "connectedness" with each other and how do we bring that connection to the greater public? We reach out, to invite in. We prepare for concerts more like they are community experiences than formal gatherings with few social connections being made. Now this final concert on our season "Song My Mother Taught Me" is in most ways a "traditional" concert experience. But it is an event that brings a message. I am working towards it being a concert of hope, expectation, and joy. But this doesn't happen without effort. I am so excited to conclude this season of Choral music with some great works, Ludwig Beethoven's "Choral Fantasy" and Johannes Brahms' "Requiem." Tomorrow, at the InChoir event, I will expound upon the deeper meaning and purpose of these pieces. I feel that they are filled with grand hopes, songs to remove fear and anxiety, songs of peace. This is often what our community is looking for. Culture pushes us to react. I hope this concert asks us to connect and respond, and not react. Maybe I am overly optimistic about what a concert can do for a soul, but I prefer the optimism over fear.

Thursday, April 7, 2016

Concert Notes... a beginning

For our final concert I have decided to write what are commonly referred to as concert notes. Many classical music fans know these 1 page writings by conductors and music leaders often talk about the break down and make up of the music that is heard on the concert. I find those very enlightening. But what really excites me is when these individuals clearly express their joy and excitement for the music with personal connections or stories related to the performance I am about to hear. So here is my second paragraph (this is a draft) of the "notes" I will be sharing in our program for our concert on May 13, 7:30pm at St. Mark's on the Campus in Lincoln, NE.

Families are complicated collections of individuals. The Lincoln Choral Artists are no exception. Our mission is to serve the community “Lincoln Family” by providing an excellent music experience for our audiences and members. This takes effort, commitment, and perseverance. I’m reminded of a great moment in Aaron Sorkin’s West Wing. The US Poet Laureate says “An artist's job is to captivate you for however long we've asked for your attention. If we stumble into truth, we got lucky. And I don't get to decide what truth is.” We can’t pretend that world doesn’t exist and that fear and pain are not a part of living in community, living in family. But there is hope, joy, promise, and love that can help us endure as individuals in a community, a family.




Tuesday, March 22, 2016

"InChoir" Event 2016, We had so much fun last year...

You are invited!
On April 14, 2016, come to the "In Choir" Event and sing with the Lincoln Choral Artists as we prepare for our spring concert on May 13.
Choral singing has the power to draw diverse communities together in a common musical experience. This program enables participants to get acquainted with great choral music by singing side-by-side with members of the Lincoln Choral Artists at a working rehearsal.
More than simply a rehearsal, "In Choir" events are stimulating, engaging choral experiences designed to illuminate music and text while revealing the historical and cultural influences that shaped their creation. Deliberately blurring the line between artists and spectators, "In Choir" creates opportunities for participants, at any level of musical ability, to get inside the rehearsal process. Hosted and conducted by Artistic Director Jason M. Horner,  "In Choir"  participants experience close-up and first-hand the gratifying work that culminates in polished performances. 
This year's InChoir Event will include Beethoven's Choral Fantasy and selected Movements from the Brahms' German Requiem.
All "In Choir" Events are free and open to the public. Scores are available 30 minutes prior to the beginning of rehearsal. 
So come to the "In Choir" event on April 14 at 7:30 pm.
Nebraska Wesleyan University
Rogers Fine Arts, Second Floor Choral Rehearsal Room
Lincoln, NE 68504
http://lincolnchoralartists.org/singwithus.html 

Thursday, March 17, 2016

Choral Musings for St. Patrick's Day

Today we celebrate St. Patrick's Day. This is yet another interesting and strange development in the secular American holiday cycle. Clearly there are great and strong roots for the origin of the day. But it has really just become another day for going to the bar and visiting with friends. Not bad  things, but maybe it loses a little of it's meaning. I like a lot of Irish folk and rock music. But there is also a huge amount of literature for choirs that comes from sacred and secular traditions that is out there for this celebration day. Below are some links to choirs and videos of groups making music for St. Patrick's celebrations. This list goes well beyond "O Danny Boy" and the "Irish Blessing." Both of which are beautiful texts with many arrangements, but have become rather cliche and over done.

Here are some other ideas, including my friend and colleague Phillip Stopford and his beautiful ensemble "Eccelsium."

http://www.ecclesium.co.uk/socialmedia/


http://www.michaelmcglynn.com/video

Irish Choral Composer





The King's Singers " The Little Green Lane" 
Start at 46:06
https://www.youtube.com/watch?v=bChOx-kGmNE&feature=share&list=PLJTrrLSH2FUa8lX-4avPi0m9TamiJoNqW











The Indianapolis Children's Choir perform St. Patrick's Day Music
https://www.youtube.com/watch?v=lhqXcFJkUnE


Thursday, February 25, 2016

LCA will be on Friday Live this week!

Every concert I have the great opportunity to join Genevieve for a conversation about our next endeavor. 


Friday Live is a weekly arts and humanities program hosted by NET Radio’s Genevieve Randall The program usually broadcasts from The Mill coffee house in Lincoln's Historic Haymarket district on Fridays at 9:05 a.m. 

LCA will be on Friday Live this week! I will be joined by Jennifer Ripp, singer and Gala coordinator, for the Great Gatsby Gala. You can listen statewide on NET Radio or stream online at the NET website. For more information, click here: http://bit.ly/1PQcCVy

If you can't catch the show in person, on the radio, or on the web, it is available later the same day on demand, or you can subscribe to the podcast for Friday Live and the Friday Live Extra


Thursday, February 11, 2016

Women's (sub) Choir and solos- Dividing and conquering!

Play to your strengths... Divided we fall... Power in numbers... The Power of one... Be All You Can Be... An Army of One...













These are all slogans or cliches that seem to contradict each other. Are we stronger as a group when we come together? Should we be striving for more individualism? Do we consider the needs of the many over the needs of the one?










Choirs are unique groupings of select people (either self selected or auditioned) that come as individuals to strive for an overall goal that seems to unite  not just voices, but efforts and abilities. Yet another cliche would be better than the sum of its parts, Choirs seem to consistently prove this notion.













For our next concert we are definitely dividing to conquer. The women will be featured on song written for three voice parts and it will include solos. Two soloists in the group will sing portions of a SATB mixed choir arrangement of "Summertime."  A small ensemble will sing a couple medleys that reflect the era of the 1920s and 30s. We are featuring the gifts of singers both in solo songs, solo instrumental selections, and piano accompanying. This diversification will definitely be a unique format and is a "Great" but fun challenge for me and the main group of volunteers who are organizing our Great Gatsby Gala.


I know we will show our incredible talents as individual. I know the choir will perform well on the full choir anthems. I know the audience will have a blast at the event. But will they know why, will a "non-traditional" format serve as a good experience for the audience essentially connected to the ensemble by more traditional choir concert styles? We don't know.

Our Downton Abbey Affair Gala last year was  great success. In many ways it was still a concert. But we added some variety. This year is similar, but our location is even more different in a museum and spread out among different floors.

In this world of 3D and hands-on sensory and participatory performance events, choral concerts can be and should be a part of this expanding dynamic in live performance. The traditional "stand up and sing" concert, though important, can be expanded simply by selecting a unique venue for performance. My thoughts, insights, and experiences on "out of the box" venues can add to the experience of a live choral concert. These opportunities to have a discussion  about experiences (good and challenging) in all types of performance venues, from concert halls to church sanctuaries and more non-traditional spaces is a joy. The variety of non-traditional performance spaces in all cities opens groups up to exposure by singers and communities of all ages. I think this should be explored by choral and instrumental ensembles as they prepare for future seasons

I don't know how many people reading this blog think about the things I do. But I hope this topic serves you in some way.