Tuesday, June 2, 2020

Where are we at? LCA during COVID March-May 2020

This has been a challenging time for the entire world. We have all had to adjust our plans and expectations. As an organization we did have to cancel the final rehearsals and performance for our final 40th Anniversary Season. It has been difficult...


We quickly had to make the decision to protect our singers and the community. The board took steps to make sure we could financially sustain through the end of the season. And we all moved into a new "normal" without rehearsing, without being together, without making music in the same way...

But what have we done and where are we at? In March, we held a ZOOM choir social hour to check in. I have been working with Carrie to keep lots of content on our social media platforms and we organized a committee to discuss the future of LCA. 

We look forward to sharing with everyone updates and plans in the near future. Know that we are working on ways to bring music to our world again. We need to be creative and we need to be positive. We need to reflect the the difficulties facing our communities , not only because of COVID-19, but also the cultural strife and chaos in our cities these past weeks. We will find ways to be a positive force for change. We will care for each other and care for our community! We will continue to sing on! 

If music be the food of love,
Sing on till I am fill’d with joy;
For then my list’ning soul you move
To pleasures that can never cloy.
Your eyes, your mien, your tongue declare
That you are music ev’rywhere.
Pleasures invade both eye and ear,
So fierce the transports are, they wound,
And all my senses feasted are,
Tho’ yet the treat is only sound,
Sure I must perish by your charms,
Unless you save me in your arms.
If music be the food of love,
Sing on till I am fill’d with joy!

By Henry Heveningham
The first line quotes Orsino's lines in Twelfth Night by William Shakespeare

Wednesday, March 11, 2020

A blog post about Church Choirs

I posted a blog for the Nebraska Choral Directors' Association today as part of my duties of serving on the board as Music in Worship Repertoire and Resources Chair. Below is that blog. I reference ACDA which is the national level of the Association, the American Choral Director's Association.


Church Choirs and Church Choir Directors
Blog post by Jason Horner, NCDA Music in Worship R&R



I have a full-time job as a church musician. This is becoming  more and more rare and within the world of ACDA there are less and less church musicians seeing the value in membership. Why is that? I think there are lots of factors; time, money, not understanding  or knowing about the value of the organization... the list goes on. But another factor is the nature of the beast. Being a church musician is different from teaching K-12, college/ university, or even leading a community ensemble. (I also direct at a college and have a community ensemble.) For some church musicians the job is primarily leading the choir, but this is increasingly rare. More than likely, whether the gig is supposed to be focused on music-making, it usually involves a lot more music organizing: choosing music for worship that doesn’t include choir, developing relationships with parishioners, meeting with your pastor to figure what we are going to do about the Corona virus (ok, that’s hopefully not an ongoing thing). For the part-time church musician you might get to spend 1-2 hours rehearsing your choir and having them sing 3-4 times a month for worship. But honestly, you move furniture, check emails, call less reliable singers to remind them about daylight savings (again, hopefully you already navigated that one) and so on.

So as a musician organizing singers and worship, finding the value in an organization primarily focused on furthering education of conductors and teachers may not totally fit the bill. What I have come to understand, however, is that as a conductor the richness of a deeper understanding of the choral arts is a necessity for me as a well-rounded musician. It helps me to remember the goals and develop my sense of a choral tone by experiencing excellent choirs under great colleagues and mentors. Yet I can also bring my experience as a Church musician to this organization.

The skills used in leading singing and directing multiple ensembles transfers readily in the choral art. Now this blog is going out to a group of dedicated ACDA/NCDA members, many of which have church gigs. So yes, I’m preaching to the choir (directors!) What’s the point of this discussion? I think, for me, I need to get out of the organization as much as I can. But that’s really up to me and how I approach the ideas and concepts that come from participating.



I was in Milwaukee last week for the regional convention, I organized the NCDA Church Choir festival (with lots of help) a few weeks ago here in Nebraska. And so my mind is still in the haze of those closely tied experiences. I had singers in all my groups say something along the lines of “bring us back some great knowledge to impart” when I was headed for Milwaukee. I hope that that has happened. The joy of singing, my joy in directing, my experience as a worship leader, and my heart will also continue to guide me as I lift up singers and ensembles. I truly wish for other leaders to have those experiences and maybe be encouraged to join us, the “nerdiest” of directors, in our mission.

Thursday, February 13, 2020

Let's Go to the Movies: March 1 Cinematopia Concert




Every season we try to invigorate the fundraiser concert (formally called the gala). We have done music inspired by Downton Abbey, 80s and other pop music, a Musical Theater Review... 











This year we are going to the movies!!!

We have also invited special guests, the UNL Jazz Singers under the direction of David von Kampen. 

The evening will begin with music to set the mood with some silent film from classics like Charlie Chaplin and Buster Keaton to classic horror films. During this hour we invite guests to bid on our silent auction items and participate in our basket drawings. There are lots of cool "Movie Inspired" baskets and auction items planned! This is one our biggest fundraising events and we appreciate so much all the support we receive with you donations. 

The second hour will include the LCA choir performing music from Star Wars, Harriet (2019), 80s classics, and lots of solos and small group performances of famous movie songs. 

The final portion of the evening will include a special performance from the UNL Jazz Singers. 

We hope you can join us on this cool journey through the music of Cinema. 
Sunday, March 1, 4pm at the Royal Grove in Lincoln, NE.
Tickets are just $35 and include food and beverage!


Thursday, January 23, 2020

A Podcast and Article for Inquiring Minds

Today I'm sharing a link to a great episode of a great Podcast "Choralosophy" hosted by Chris Munce.
Often articles and podcasts about choral music a directed towards Choir Directors. This episode, to me, seems to reach beyond directors to singers and even to audiences.

Episode 28: Can Pitches be Perfect?

This is a FASCINATING discussion with Donald Brinegar, author of the recently published “Pitch Perfect: a Theory and Practice of Choral Intonation.” Donald and I discuss the sometimes misunderstood concepts related to intonation and what makes something “in tune” or “out of tune.” Is it possible that we our education related to this topic has been lacking? I think it has been lacking for many, which is why I think this episode is so important. The conversation runs mostly along two tracks. The common misconceptions surrounding the mathematics of intonation as well as practical ways to bring concepts of intonation into rehearsals with singers of all levels.

I hope you enjoy this article and episode.
NEXT WEEK: LCA is doing STAR WARS? Yes, yes we are...

Monday, January 13, 2020

I love it when choir members share their online finds!

So today I didn't even need to search out or think up any ideas. Below is an article that was sent to me by a member of my church choir. Enjoy!


Your Brain and Singing: Why Singing in a Choir Makes You Happier
By Jaime Babbitt


Any of us who have sung in choirs know all too well the joy it brings not just the audiences, but also the choir members themselves. And why wouldn’t it? When we raise our voices with lots of other gorgeous voices in a big, beautiful space, it feels like we’re altering molecules. The power, the mojo that this (relatively) small time commitment offers…how is it possible? Well, according to various scientific reports, we are altering molecules…inside our brains, with different changes occurring whether listening to music, singing, or singing with others.

In Stacy Horn’s wonderful book, Imperfect Harmony: Finding Happiness While Singing with Others, we get a first-hand account of how music uplifts and empowers, with various scientific evidence cited. Horn has been singing with The Choral Society of Grace Church (in New York City’s Greenwich Village) since 1982; she evocatively describes her own experience while explaining how science is finally catching up with what vocalists have known since the dawn of time: singing heals.

Choirs are known for singing about somber topics, including death. Requiem masses by Mozart, Haydn, Verdi and Berlioz are extremely popular selections for choirs worldwide. Yet, even though the content isn’t necessarily joyful or soothing, endorphins — hormones produced by the central nervous system — release and interact with opiate receptors in the brain, diminishing pain and triggering an almost analgesic feeling in the body. Our brains get an endorphin “rush”, which apparently feels a lot like taking morphine. Singing (both listening to it and doing it) can also release dopamine, a chemical that works to help regulate the brain’s pleasure and reward centers. Music has also been found to release serotonin, a neurotransmitter found mostly in the digestive tract that helps regulate our moods, social behaviors and appetite; other studies have shown that cortisol levels can be lower when listening to music and singing. In addition, Dr. David Huron, a music professor at OSU, postulates that singing may increase prolactin production; prolactin is found both in tears and in nursing mammals, and it helps regulate the immune system.

Other forms of happiness await us via singing as we age. Neuroscientists have shown that musical memories engage broader neural pathways than other types of memories – that’s why hearing an old song can flood one with very specific emotions and visual cues. When dementia and Alzheimer’s patients are encouraged to sing along songs from their youth, they sometimes respond with wide-eyed wonder and exhilaration, and sing out in a way that surprises not only those around them, but themselves as well; it’s a beautiful phenomenon to witness. Additionally, doctors are now finding that singers have more circuit connections between the right and left sides of their brains than non-singers. Memorizing words (left brain function) and music (right brain function) could keep those nerve cells and synapses in excellent working order.

Dr. Gene D. Cohen of George Washington University kept track of a senior singers’ chorale in Arlington, Virginia. The singers’ average age was 80 (65 the youngest, 96 the eldest). Findings showed that the singers suffered depression less frequently, made fewer doctor’s visits each year, needed less medication, and increased their other activities. I can attest that some of my greatest memories are of forming and leading a choir at an assisted living facility and seeing with my own eyes how the songs from my elders’ era affected them; they laughed, cried and told stories about first hearing that song performed.

But, as Horn will agree, the most remarkable phenomenon that a choir vocalist experiences are the many “take your breath away” moments that come as a result of being one of many voices coming together in harmony. I’m sure many of you reading this have had your own version of these types of experiences: goosebumps on your arms, hair standing up on the back of your neck, bursting into tears (that would be me), and more. A 2004 study by Dr. Gunter Kreutz showed that singing in a choir–as opposed to simply listening to choral music–increases SIgA production (antibodies in saliva that help immune function) and other positive physical responses.

The even better news is that while we always strive to be the best choristers we can be, our voices don’t have to be “professional strength” to derive these myriad health benefits. Horn cites a 2005 study that showed that singing even at an amateur level was beneficial to people’s emotional, physical, and cognitive well-being. Before moving back to New York, I joined Nashville in Harmony, a talented and love-filled group of largely non-professional singers in Nashville, Tennessee. Being one of 150 voices banding together for the common good has brought me exhilaration I’d not felt in all my years of singing…and that’s a lot of years. Back when we recorded to tape.

Here we are at a 2016 rehearsal. The exhilaration is palpable: https://bit.ly/2HdNbfS

So please, sing. Sing a song. Sing out loud. Sing out strong. (See what I did there? C’mon, who remembers Sesame Street? The Carpenters? Sigh.)



Link to original posting: http://www.dailygood.org/more.php?n=8319 

Special thanks to Greg Schuerman for sending me this article!

A choir is made up of many voices, including yours and mine. If, one by one all go silent then all that will be left are the soloists. Don't let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.
- Vera Nazarian -

Monday, December 23, 2019

Reflecting on a decade

My life has significantly changed in 10 years.

2010 teaching full-time in K-12 in MN, doing some church work, leading a renaissance group and a girls choir, some very hard personnel events and turned 30, got a niece
2011 made some big life decisions and went back to school full time for a Masters in Church Music
2012 surviving as a full-time student, enjoying building relationships with colleagues, and starting earnestly riding a motorcycle
2013 completed work on my second masters degree, made a huge life decision and moved to to Omaha, NE; Started a new job in a new city, bought my 1st Harley, got another niece
2014 accepted my position with the Lincoln Choral Artists, continued to build the program at my full-time church position, launched a fall start with LCA with 2 great concerts! Launched a Handbell festival in Omaha, had my first (and only!) motorcycle accident
2015 continued to have great concerts with LCA including the first GALA fundraiser, met the women who I will be marrying on Sunday, got a national act to headline the handbell festival, went on my first big Harley adventure with my best friend and best man (on Sunday) to Colorado
2016 took over the reigns of NCDA Church Choir festival, spent more and more time with wonderful woman!, did a great bike trip to Mecca (South Dakota), lots of conferences, lots of memories
2017 added Sing Omaha studio teaching to my jobs, accepted position as NCDA Music in Worship R & R chair, more great conferences, more wonderful memories and trips with soon-to-be wife; did another great bike trip with best man and his wife
2018 Got Engaged! Took a great trip to Milwaukee on the motorcycle with great friends!
2019 plans and plans and plans for wedding and honeymoon, solo bike trip, got a 3rd niece! (getting married on Sunday), accepted a job at Doane University, still doing all the jobs and making great music with some many great people.
I can't wait to see what happens in the next decade!

Merry Christmas and Happy New Year!
Jason Horner, LCA Artistic Director

Thursday, November 14, 2019

Christmas Time is Here: Chestnuts and celebrations

Our Nov. 3 Concert was a great success! Thank you for supporting the Lincoln Choral Artists and the Lincoln Civic Orchestra. We are looking forward to future collaborations with this group.

So what's next? It's the Holiday Season! I find myself a little less "humbugy" about hearing Christmas music early this year.

I, of course, am always rehearsing and planning Holiday music as early as August. But I try not to listen to music for fun until after Thanksgiving. This year has felt different. I'm not so annoyed when I hear the songs of the season in stores or that radio stations have switched to Christmas music right after Halloween. Some changed at midnight!


For our concert this year, we share the stage again with Bell-issimo. We are presenting familiar and beautiful songs of the season. "Chestnuts" as it were.


So please join us on Dec 12 @ 7:30pm, Holy Trinity Church in Lincoln, for our Holiday Concert:


Facebook Event Page

Tickets!

Thursday, October 24, 2019

Catching up on posts... Alumni Choirs, College Kids, and crazy schedules

So I haven't posted in a couple week. My life has become a crazy train as the looming holiday season is coming. I also had the incredible opportunity to visit my alma mater and sing one more time with René Clausen and the Concordia College Alumni Choir. 
My fiancé had her first taste of October Moorhead snow and the craziness of my wonderful college friends. 
There was incredible music making and celebration. 
Quickly this was followed by more homecoming activities at Doane University and I my first concert with the Collegiate Choir. 
What a blast! Next was a week of catching up and working hard on holiday music planning.
This week got extra crazy as I help out a colleague to cover some more rehearsals. The LCA 40th Anniversary Season Alumni Choir meets tonight for the first time. And I am just blown over by all the amazing singers and players i get to work with each week in my varied jobs. Yesterday alone was Collegiate Choir, Doane Mass Choir, Kids' Christmas Program, Adult Choir, and Brass ensemble. Today is College kids again and the aforementioned alumni. I am blessed to have such great music (and a supportive fiancé).
Stay Strong! Sing On!
May the force be with you!

Thursday, October 3, 2019

So, a choir director gets in front of an orchestra...

Sounds, like a set up for a joke, right?!?!
Singers vs. instrumentalists, and "ne'er the twain shall meet..."
Some people even say singers vs. musicians... ooh, burn!

But I'm not writing today to stir up controversy. So many excellent musicians in community and volunteer groups are both singers and players, vocalists and instrumentalists, soloists and ensemble members. In fact, in my church choir one of the tenors sings in choir, plays in the praise team and brass ensemble, and does his own playing outside of worship.

No today's topic is conducting an orchestra. I am so blessed to have the opportunity this evening to work with and conduct the Lincoln Civic Orchestra. Rob Salistean, the LCO maestro, and myself are doing a director SWAP tonight.

As we prepare for the Brahms, the choir will have an opportunity to rehearse with the LCO conductor tonight. And I am being given a great opportunity to share my thoughts and my arms with the orchestra. I have had a number of opportunities to work with orchestras of many sizes and varying groups of instruments throughout my career. Tonight (and on our concert) I get to stand in front of 80 players, with strings, brass, and percussion. I get test my skills as a conductor. I hope to bring some enlightening ideas to the players on the music we will share. And I get to connect with another great selection of community members.

I know the fruits of our labors tonight will be seen on our concert, November 3rd. I am very excited to step onto the podium and create some wonderful music.




Thursday, September 26, 2019

It's not even October... winter is coming!

Musicians unite as we get ready for (dread) the oncoming storm of the holiday season. In all honesty I have been doing some planning for Christmas and it's related events for several months. I am also in the midst of planning a wedding immediately following the busy Christmas Season. Luckily I have an amazing fiancé who likes planning things too! We are mostly having fun planning this event. On Tuesday night we attended a showing of the new Downton Abbey Movie. It was grand, and we even got some ideas for our event. (I also settled on using my choral arrangement of the theme music on the LCA fundraiser concert in March.)

So with all these big plans, long-term thinking, thematic planning, 40th Anniversary Season celebrations, and several good meetings and emails about LCA you'd think I would feel pretty good about what happen for the holidays. And you would be right!

The Holiday Concert will be fantastic! I can tell that already. I love the direction we as an organization are moving and I think our concert of "Chestnuts" will be a blast! But now, back to Brahms as we continue to prepare for our pre-holiday season (or FALL) concert.

For more info on our entire season, check out:
http://www.lincolnchoralartists.org/2019-2020-season.html

Thursday, September 19, 2019

Every Breath You Take... rehearsal is a slow process

So I am not quoting a song by the Police (which is not about love, but obsession and stalking!) But it's such a catchy title I had to use it!

Each week in our process to become the choir we want to be, there are steps (and breaths) needed to be taken. Unlike high schools and college choral programs we only get to meet once a week. In our best situations, that means 9 rehearsals per concert. Maybe there is also a "dress" rehearsal, but that is more about logistics and getting a feel for the performance venue. In my mind the "dress" rehearsal is a bit of  a necessary evil, instead of a true focused and meaningful rehearsal.


So back to topic. If we have only 9 rehearsals that's 18 hours of rehearsal. Subtract 15mins each rehearsal for break, announcements, transitions, hopefully some moments of fun and levity. Now we are at 14.5 hours. Let's assume 60 mins (more or less) of music to prepare. Break that down to let's say 8 songs. Somewhere around 7.5 minutes per song (that's not really true, more like 3 minutes, but longer pieces like Brahms on our first concert have 10 minute movements). If evenly divided we might get 1.8 hours of rehearsal on each song, total! That feels like nothing! I ask singers to do some work outside of rehearsal. Let's round up then to 2 hours spread over 9 weeks of rehearsal on each song. As a church musician that's crazy. I have spent 2 hours in one day on some songs and done that for a week in preparation for a 3 mins "performance" on a Sunday morning.


So going back to my blog post title, it was misleading. Yes, sometimes the rehearsal process can feel slow. Sometimes the minutiae we dig into to refine music to make it excellent can feel like an eternity. And in comparison to the fast paced nature of society outside of rehearsal this pace could almost feel grueling. But in reality the rehearsal process for each song is so fast, so incredibly short I am continually appreciative of the work and musicality with which LCA singers continually achieve in performance.


Thursday, September 12, 2019

Throwback Thursday: Videos from the past several seasons and rarities

Today I am sharing a number of youtube videos LCA has produced in the past several seasons. I will also link to a previous blog with some older recordings. In this year of reflection and celebration here is the opportunity to highlight our musical achievements and great music-making!

First up:
City Called Heaven arr. Josephine Poelinitz featuring LCA Soloist, Jessica Bauer
This was performed at the 2014 Holiday Concert in O' Donnell Hall.

I Bought Me A Cat by Aaron Copland
Copland will again be featured on our upcoming concert on Nov. 3


In the Air Tonight (Phil Collins) arr. by Jason Horner
This was an audience and choir favorite on our 2016 Fundraiser Concert at the Royal Grove. 

And finally a link to a previous blog I posted with a performance under the previous name the Lincoln Civic Choir. The chorus was prepared for this performance by John Lauber, who will again be joining the choir to conduct on the fall concert this year. Special thanks to our LCA Historian/ Archivist Kent Remmenga for having the original recording. 







Thursday, September 5, 2019

Brahms Requiem: The Choral Movements

So, this blog title is a little misleading (grad students looking up sources for choral conducting courses!).

The Brahms' Requiem is a complete Choral-Orchestral work. All 7 movements include huge portions for the choir. However, a few movements also include vocal solos.



For our combined effort with the Lincoln Civic Orchestra on Nov. 3 LCA will be preparing all movements without solos (1,2,4,7). Why? Well, many factors play into program planning; leaving time for each ensemble to do some other music, hiring costs of musicians, rehearsal time available to prepare a masterwork, and having a concert that is both well received and timely. I think sometimes we both undersell and oversell our audiences. Hopefully, there is a wide variety of guests at our concerts. Some may have experienced Brahms in its full glory several times with many performing ensembles. Some may be at there first "classical" concert. There are (again, hopefully) families with kids of all ages.

LCA's main job is "to serve the community by providing an excellent experience for our audiences and members." This is our mission statement. It is also something we must work at with every performance. We fulfill the role of servant-leaders through excellent performance and engaging events. We ask the community to come with us in this journey. And by incredible collaborations with other musicians and organizations in Lincoln and the region, like the Lincoln Civic Orchestra, we extend our voices and talents in an act of unique engagement, hoping to show care and justice to a world in need of so much.


Choral music can reach into hearts and open minds to a sense of belonging and community much deeper than might initially be considered. It's so exciting to prepare this music and create what could be considered a "choral movement" of community building. 

Thursday, August 29, 2019

OMLCA! We Return, We Celebrate, We Move Forward

"Tonight's the night!" Tonight we gather together again. We reclaim our sacred space for making music. We work together to create and build community, like this organization has done for 40 years! I am so blessed to work with incredible people and musicians to create something unique. I hope the entirety of the ensemble feels similar. This is a huge season of celebration, of remembering, of collaborating and of moving ahead into the next 40 years!
And we have a new logo and theme for the season.


I am so excited to begin tonight. The beauty of Brahms, Copland, and other incredible musicians of the past will guide us in our celebration season!

Check out the season:

Join us on our social media pages!



Use our season hashtags: #LCA40 #LincolnChoralArtists #LCACelebration40 

Monday, August 19, 2019

Guest Blog Post #2: John Lee...The melodies linger on

I am once again so pleased to offer a guest blog post from an LCA Singer and our Bass Section Leader, John Lee. I hope you enjoy this post! Thank you John.

A couple weeks ago Martha [John's wife] and I went to the Willie Nelson concert, with Alison Krauss, at Pinewood Bowl [in Lincoln, NE]. What a wonderful Saturday evening under the stars! 
Alison led off with her beautiful voice, singing “River in the Rain,” which we sang a few years ago when we did the music of Roger Miller’s “Big River.” She continued with a number of songs she has written, such as “Down to the River to Pray” and “I’ll Fly Away” from “O Brother, Where Art Thou,” and at least one of Willie’s songs, “Angel Flying Too Close to the Ground.”  

Then Willie and his band came out and performed for more than an hour of this own songs, leading off with “Whiskey River” and on through “Blue Eyes Cryin’ in the Rain” with shout-outs to pals Merle Haggard ("Pancho and Lefty”) and Johnny Cash (“Folsom Prison Blues”). Willie was showing some difficulty breathing, but inviting the audience to sing along on familiar hits like “On the Road Again” and “Mammas, Don’t Let Your Babies Grow Up to Be Cowboys” let him rest his voice a bit. 
What struck me most was that Willie is still singing – and packing the house – at the age of 86! With his “little sister” (age 88) on the piano! That tells me I still have a few years that I can enjoy singing with the Lincoln Choral Artists – and elsewhere. No, I’ve no aspirations to do Pinewood Bowl – unless it’s with LCA! But in my 30 years or so singing with Lincoln Choral Artists I’ve sung at the Lied Center and Lincoln Center (New York) and Holland Center (Omaha) and many other venues – even the Royal Grove! I’ve told this choir before about my decision, as a junior in high school, to give up trying to play football and concentrate on music. I never would have gotten to New York playing football! 


Music is something you can continue to do your whole life. I’m looking forward to starting the next LCA season! 



John Lee

Wednesday, July 24, 2019

It's been too long...

Hi All, Sorry for the lack of posts in recent weeks. I have been visiting family, going to conferences, and enjoying some down time before the busyness of fall is open us. Today I have been thinking about how important our role as musicians/ artists is in the current politics of the world. Sharing our voice in as many settings as possible can build coalitions of trust instead of tearing down hope and creating fear. I try hard not to be political on this blog. (So much so, I have considered writing a seperate blog under a pseudonym just to vent my frustrations and fears.) Our voice for singing and for sharing hope and joy continues to come back to me as more important than being right about the multiple crisis our country and world are in. I want us to strive as citizens of wherever we come from to be better people. To listen more, to hate less, to be smart about our words, and to lift up those in need.

I can't wait to get back into rehearsals with the Lincoln Choral Artists as we prepare for some amazing music in celebration of 40 years of community building. But I'm even more excited to share that joy and hope with the world.

Wednesday, June 12, 2019

Guest Blog Post #1: Nick Vacarro

Today's blog was written by LCA singer Nick Vaccaro. I am so thankful for his contribution to the organization as a singer, supporter, and now blog poster! Jason Horner, LCA Artistic Director
--------------------------------------------------------------------------------------------------------------------------

Nick Vaccaro, Tuesday, June 11, 2019

Last September I returned to choral singing after about a break of about 20 years. I feel fortunate to have found (thanks to member Dorothy Ramsey)  the Lincoln Choral Artists as a vehicle for doing that.

One of the main reasons that I’ve felt an immediate connection to  LCA is the very broad and eclectic repertoire that we’ve explored. Over the past year, we’ve sung music ranging from Thomas Tallis and Heinrich Isaac to James Taylor and Pat Benatar.   I haven’t loved everything that we’ve sung -  but I’ve liked most of it, loved a lot of it, and learned from all of it.



So, why do I think that performing such a wide range of music is a good thing?
 It isn’t always a good thing. Juxtaposing or combining different styles of musical expression can sometimes produce strange results, and musicians sometimes struggle to do justice to music that falls outside their comfort zone.
All the same, I’ve found that an openness to stretching or crossing musical boundaries has made my musical life a lot richer -  both as a performer and a listener.

Here’s one example. In 2007, I finished graduate school and came to Nebraska. Before I’d made much in the way of social connections here,   I found myself with a lot of alone time when not working.  I also had a melodica (an instrument I’d started playing the previous year), and had recently come across a number of interesting musical performances on a new website called YouTube. So, I decided to pass some time by recording MIDI-accompanied renditions of whatever music that I thought I could make sound decent on the melodica. And that eventually turned out to be… a lot of different things, drawn from a range of musical genres even broader than the programming for LCA’s last season.

The videos are still up on YouTube – all in vintage 240 pixels, but with sound quality good enough that I can go back and watch them fondly from time to time.


Teaching myself to play every one of those (very different) songs was a challenge and a thrill in its own way. The feeling of playing an Aretha Franklin favorite is different from the feeling of playing a Robert Schumann favorite; not better or worse, but different in a way that’s worth experiencing.


LCA seems like a great place to pursue more of that sort of exploration. I look forward to seeing where we’ll go next.